Abstract/Sommario: The debut feature of Italian filmmaker-novelist-poet-provocateur Pier Paolo Pasolini (Salo, or the 120 Days of Sodom; The Gospel According to Matthew; The Decameron), Accattone rocked the cinema world with its depictions, at once raw and elegant, of the underside of Roman street life and, in the process, seemed to announce a new direction for Italian films: a neo-neorealism. On the mean streets of Rome, Accattone's eponymous pimp (played by Franco Citti, one of a remarkable cast of lo ...; [Leggi tutto...]
The debut feature of Italian filmmaker-novelist-poet-provocateur Pier Paolo Pasolini (Salo, or the 120 Days of Sodom; The Gospel According to Matthew; The Decameron), Accattone rocked the cinema world with its depictions, at once raw and elegant, of the underside of Roman street life and, in the process, seemed to announce a new direction for Italian films: a neo-neorealism. On the mean streets of Rome, Accattone's eponymous pimp (played by Franco Citti, one of a remarkable cast of local non-professionals) leads a hand-to-mouth existence on the very margins of society: prostituting, scrounging, exploiting. When his prize prostitute Maddalena is arrested and jailed, the pimp's fortunes dwindle, and he is forced to confront his own existence.
